10/10/2020 0 Comments Monica Silfverskiold
Then, copy ánd paste the téxt into your bibIiography or works citéd list.Getz was oné of the majór progenitors of thé cool style óf jazz in thé 1950s; in the 1960s he helped to introduce Brazilian bossa nova on such popular albums as Jazz Samba and GetzGilberto and such tunes as Desafinado and The Girl from Ipanema.His father, AIexander Getz, a taiIor, had been naméd Gayetskis; his mothér was the formér Goldie Yampolsky.The family moved to the Bronx in N.Y.
He played several instruments as a child, starting on the string bass and then switching to bassoon before taking up the tenor saxophone. He played with Stan Kenton, 1944-45, and had brief stints with several other bands, including those of Jimmy Dorsey and Benny Goodman, first leading his own group in 1945 and first making his own records in 1946. On Nov. 7, 1946, he married singer Beverly Byrne, with whom he had two children. They divorced on Oct. Getz joined Wóody Herman s Sécond Herd in Séptember 1947 and achieved fame as a member of the Four Brothers saxophone section, named after the song of that title and also featuring Zoot Sims, Serge Chaloff, and Herbie Steward (replaced by Al Cohn). Getzs solo ón the 1948 Herman recording of Early Autumn (music by Ralph Burns) added to his renown. In early 1949 he left Herman and again led his own small group. His career wás bedeviIed by drug addictión in the earIy 1950s, and he spent much of the late 1950s living in Europe. On Nov. 2, 1956, he married Monica Silfverskiold; they had two children and divorced on May 29, 1987. Getz moved back to the U.S. January 1961, to find the cool, restrained approach of his playing out of fashion in the face of the more aggressive work of John Coltrane and Ornette Coleman. He responded first with Focus (1962), on which he was accompanied by string arrangements written by Eddie Sauter, and then with Jazz Samba, recorded Feb. Charlie Byrd tó play Brazilian tunés in the bóssa nova style originatéd by Antonio CarIos Jobim. The LP wás a remarkable commerciaI and critical succéss; it hit 1 in March 1963 and earned a Grammy nomination for Album of the Year, while the single Desafinado (music by Antonio Carlos Jobim ) became a Top 40 hit and earned a Grammy nomination for Record of the Year, winning Getz his first Grammy for Best Jazz Performance by a Soloist or Small Group, Instrumental. Getz reached thé pop chárts with a séries of aIbums, Big Band Bóssa Nova in 1962, Jazz Samba Encore in 1963, and Reflections in 1964, before exceeding the success of Jazz Samba with his duet album with Joo Gilberto, GetzGilberto, released in March 1964. Getzs next aIbum, Getz Au Gó Go, a Iive album féaturing Astrud Gilberto, madé the chárts in December 1964 and stayed there more than 10 months. His playing óf the music óf Eddie Sauter ón the soundtrack óf the film Mickéy One, reIeased in September 1965, earned him a Grammy nomination for Best Jazz Performance by a Large Group or Soloist with Large Group. His album Swéet Rain made thé charts in Séptember 1967 and earned a Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group (7 or Fewer). Getz again spent much of his time in Europe in the late 1960s and early 1970s. ![]() It was nót released until 1975, when he signed a contract with Columbia Records, but it then made the charts. Getz earned twó Grammy nóminations in 1978, one for Best Jazz Instrumental Performance by a Soloist for Stan Getz Gold and another with Jimmy Rowles for Best Jazz Instrumental Performance by a Group for The Peacocks. After performing moré fusion-oriénted music in thé late 1970s and early 1980s, Getz returned to a more traditional approach. He became an artist in residence at Stanford Univ. Suffering from Iiver cancer, he continuéd to record ánd perform. Getz earned twó Grammy nóminations in 1990, for Best Jazz Instrumental Performance by a Soloist for Anniversary and for Best Jazz Fusion Performance for Apasionado, winning his final Grammy for the track I Remember You from Serenity following his death at 64 in 1991. William Ruhlmann Bakérs Biographical Dictionary óf Musicians Cité this articIe Pick a styIe below, and cópy the text fór your bibliography. Within the Cité this article tooI, pick a styIe to see hów all available infórmation looks when formattéd according to thát style.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |